Promptbibliotheek

Please create each of my uploaded travel photos into a separate, standalone "PAPER WINDOW COASTAL MEMORY｜纸窗海岸记忆" high-contrast poster. Output each photo individually, without collage or multi-image combinations. Overall composition uses a 3:4 vertical format. The original photo above occupies about 48%–50% of the frame, and the paper window memory section below takes about 50%–52%. Use a clear, straight, restrained horizontal boundary between the two areas—no gradients, feathering, or overlaps. The upper half must use the original photo itself, accurately preserving the main subject identity, quantity, poses of people or animals, ship directions, building outlines, mountains and coastlines, spatial relationships, viewing angles, natural textures, real lighting and shadows, and the original color atmosphere. Apply only minimal travel art publication-level color correction and extremely subtle film grain. To fit the vertical format, reasonable cropping or natural extension of sky, water, ground, and background environments without subjects is allowed, but do not stretch, distort, shift, replace, or redraw the main subjects, and do not use AI-generated similar photos to impersonate the original. The lower half uses a large area of warm beige coarse watercolor paper as the full background, retaining clearly visible cotton fibers, paper edges, and subtle natural color variations. The large blank areas in the lower half are a primary compositional element—do not fill the paper with maps, stamps, shells, tape, or decorative journaling materials. In the lower half, positioned slightly left or near the center, place a small, vertical or near-vertical naturally torn-edge hand-drawn paper sketch. The small sketch typically occupies about 38%–45% of the lower half's width and 45%–58% of its height, with at least 45%–60% continuous, quiet, undrawn coarse paper margins preserved around all sides. The torn edge should have authentic cotton fibers and subtle physical thickness, using only soft, restrained contact shadows. Do not render it as thick cardboard, 3D frames, Polaroid photos, or floating cards. Inside the small sketch, extract only the single most memorable core travel anchor from the photo, such as a ship, a windmill, a cluster of domes, a lighthouse, a pier segment, a seaside building, or a pedestrian. Pair it with two to four essential environmental cues, like a short shoreline, a strip of water, a few masts, a mountain ridge, a few rooftops, or plants. Actively remove crowds, duplicate ships, dense buildings, signs, window frames, clutter, and photographic noise. Do not shrink the entire photo and draw it fully into the paper window, nor retain the original's full cropping, subject proportions, or information density. Readjust the scale of the main subject, positions of secondary elements, and paper-to-white ratios so the core object feels like a singular preserved observation, not a colored pencil replica of the photo. The small sketch should also retain obvious uncolored areas, with strokes naturally stopping before reaching the torn edges. The drawing medium should primarily feature hesitant, delicate graphite pencil lines with slight handmade imperfections, combined with dry colored pencils, faint watercolor pencils, localized paper scuff marks, and broken strokes. Colors should be fully extracted from the original photo and condensed into a limited palette, such as gray-blues and greens for sea and sky, warm stone and ochre tones for buildings and land, gray-greens for plants, and one very small characteristic color from the original image. Keep colors soft, faded, with a slightly aged travel sketch feel—do not use high-saturation colors to fill the entire sketch. Add an extremely fine, slightly faded red or warm pencil vertical line along the edge of the small sketch, and a small patch of gray-blue, green, or warm gray paper excerpted from the photo's colors. These elements serve only to establish a paper-based editing rhythm—do not turn them into fixed brand identifiers, nor let them obscure the main subject. By default, add a small group of precise, clearly readable English text in the lower half, placed in the continuous blank space to the right of or near the small sketch. The text includes: 1. A scene or imagery title of 1–3 English words; 2. A field like "COASTAL NOTE 01" or "TRAVEL NOTE 01"; 3. A short observational sentence of 5–12 English words describing real existing weather, actions, buildings, ships, seawater, or spatial relationships in the photo. Use restrained typewriter serifs, old letterpress, or slim bookish fonts, with slightly wide letter and line spacing; edges may show faint ink smudges and uneven pressure, as if directly printed on coarse paper. The main title must be clearly discernible at normal chat preview size—do not reduce it to gray decorative lines. Do not invent cities, dates, coordinates, quotes, or historical details. The overall mood is quiet and gentle, with an authentic paper tactility and post-travel reminiscence. The upper half retains the light and sounds of the journey as it's happening; the lower half feels like plucking an object from memory and redrawing it on a small slip of paper tucked into a book. Avoid: Full reproduction of the original scene in the lower half; Identical cropping and scale with material swaps; Full watercolor backgrounds; Oversized hand-drawn sketches; Multiple torn paper cards; Dense journaling collages; Sleek vector line art; Children's cartoons; Commercial travel icons; Piles of maps, stamps, shells, and tape; Heavy projections; Plastic 3D effects; Fake Chinese text, garbled code; Author names, signatures, logos, QR codes, URLs, and watermarks.