Promptbibliotheek

Turn each uploaded photograph into its own independent, refined design poster. Do not combine multiple photographs; output each separately. Use a 3:4 portrait composition with two vertically stacked regions of strictly equal height, each occupying 50% of the canvas. Preserve the original photograph in the upper half, maintaining the subject’s identity, structure, pose, authentic texture, natural lighting and original colour atmosphere. Apply only subtle, refined colour grading for an art-magazine or exhibition-image quality. The surrounding environment may be extended naturally to fit the format, but never stretch, distort or alter the subject. Extract only the photograph’s most recognisable subject, silhouette, structure, pose and narrative relationships for the lower half, reconstructing them as a minimalist editorial poster combining botanical stipple illustration with monochrome transparent-overprint composition. Do not copy the whole photograph, redraw every object or retain the entire background. Remove irrelevant details, keeping only the defining structure, directional flow and visual memories. Reinterpret them through simplification, cropping, scaling, rearrangement and whitespace, making the connection with the photograph above immediately recognisable. Translate every subject—person, building, animal, plant, object or landscape—into this language. Make fresh artistic judgements in the lower half. Even if the original composition is weak, the background cluttered or the subject small, actively rescue it through subtraction, rearrangement, cropping, scale changes and whitespace, genuinely granting the model the authority to redirect the picture. Use a tiny subject plus extensive open space. The transformed graphic is a carefully placed small visual focus; it may be off-centre, near an edge, suspended, vertically arranged or partially cropped. Whitespace is part of the picture, working with the subject, transparent layers, stipple density and text to create breathing room, space, pauses and asymmetric balance. Prefer subtraction to filling the canvas. The core visual mechanism is not ordinary overlapping but successive layers of same-colour translucent graphics. Build the subject from several related-colour, semitransparent, mutually interpenetrating silhouettes, like transparent spot-colour ink repeatedly printed on paper. A single layer is light; two overlapping layers automatically darken; three become darker still. The overlap itself becomes a new designed shape. Spatial relationships are about passing through and overprinting, not front-to-back occlusion. Control overlap area, shape direction and ink density to produce rhythmic tonal variation, avoiding uniform layering. Use stippling / stipple engraving as the illustration’s core. Model volume, texture, light and shade with the density, size and clustering of tiny dots, approaching vintage botanical engravings, scientific illustration and copperplate imagery. Keep the stippling delicate, restrained and orderly; extremely fine outlines may support structure. No watercolour bleeding, heavy brushwork or complex realistic backgrounds. Stippling and transparent overprint must coexist as overprinted stipple textures. Extract 2–4 of the photograph’s most distinctive and emotionally meaningful colours and organise them into a restrained spot-print character. Build the lower half around one dominant colour family, favouring natural, quiet, enduring hues such as olive, grey-green, ochre yellow, warm brown, misty blue or ink grey, in a clean relationship with warm ivory or off-white paper. Keep it unified, simple and elegant; avoid chaotic palettes, dirty greys and cheap oversaturation. Use only a minimal editorial text intervention, with no language restriction. Generate a few words, numbers or short phrases from the subject, place, emotion or metaphor. Use small, fine modern editorial type with generous tracking, optionally vertical or rotated. Place it quietly in the whitespace, at a distance from the image, creating an editorial / Swiss-inspired minimal typography quality without piles of commercial headlines. The overall effect combines stipple engraving, monochrome transparent overprint, extensive intentional whitespace, asymmetric composition and minimalist editorial typography. Avoid object-by-object redraws, excessive background retention, filled canvases, complex scenes, watercolour bleeding, cartoon or 3D effects, poster templates and excessive decoration.