Promptbibliotheek

Turn each photograph I upload into a separate premium design poster. Do not combine multiple images; output every photograph independently. Use an overall 3:4 portrait composition with two horizontal regions in a strict 1:1 height ratio, each occupying 50% of the canvas. Keep the original photograph in the upper half, preserving the subject's identity, structure, pose, authentic texture, natural light and shadow, and original colour atmosphere. Apply only subtle, sophisticated colour grading so it has the visual quality of an art magazine, independent publication, and exhibition image. To fit the format, the surrounding environment may be extended naturally, but the subject must not be stretched, distorted, or altered. In the lower half, first understand the source photograph's most memorable **core theme, subject relationships, structural movement, emotion, and visual metaphor**, then reconstruct it as a **pastel-crayon doodle illustration on a vintage paper texture**. Do not copy objects one by one or redraw every detail in full. Keep only the outlines, poses, directions, and visual memory points that best represent the source, then simplify, summarise, slightly exaggerate, and recombine them so the correspondence with the photograph above is immediately felt. Build the subject with **coarse-grain chalk / crayon-style hand-drawn contours**: slightly thick, relaxed, dry lines with powdery grain, broken fading, slight wobble, and edges that do not always close completely; the tips of the strokes are naturally blunt. Inside the subject, add only a very small amount of pastel colour blocks, simple grids, stripes, dots, or casual scribbles—use the fewest possible signals of structure, with no realistic volume or complete detail. Surrounding small elements and the subject must share **one line language**, but compress each small element further into a doodle symbol recognisable in one or a few strokes. Stars, flowers, plants, objects, environmental clues, or abstract symbols should be simple, naive, open, and incompletely closed, relying mainly on single-line contours with almost no fill. Do not turn them into refined icons, stickers, or independent mini-illustrations. Maintain the relationship between a **small, stamp-like subject and abundant whitespace**. Place it freely according to its own direction, proportion, and visual centre of gravity; it may be off-centre, touch an edge, float, or be partially cropped. Let the subject and only a few doodle symbols form a loose but clear visual cluster, while actively leaving the rest empty. **Whitespace itself is a primary compositional element**: use empty versus solid, gathered versus dispersed, scale contrast, and asymmetry to create breath, distance, and pauses. Draw less rather than fill the frame. The background must use an **extremely pale, bright, clean paper ground**, such as cream white, ivory white, light beige-white, pale apricot-white, very light grey-white, or a near-white paper colour intelligently matched to the source's combined temperature. Keep only a very subtle fibre and grain; it must not turn brown, yellow, grey, or visibly aged. **The background value must be clearly lighter than the subject contours and colour blocks, ensuring every crayon outline, small symbol, and word remains legible and never melts into the background.** Extract **2–4 colours that are most vivid, approachable, and representative of the image's spirit** from the upper photograph and remix them into bright, soft pastel-crayon colours. Fresh tones may naturally include peach pink, apricot orange, creamy yellow, mint cyan, sky blue, or pale violet. Give the subject contours priority to colours clearer than the background—coral pink, soft blue, teal green, warm orange, pale violet, or a dark creamy tone—while the small elements repeat these colours only as scattered echoes. Keep the overall relationship as **pale ground + clear coloured lines + a few soft colour blocks**: bright, comforting, relaxed, and full of everyday life. Avoid gloomy, dirty brown, dull Morandi, low-contrast, fluorescent, or cheap candy colour. Introduce only a small amount of text and do not restrict the language. Freely distil short phrases or text fragments from the subject, action, emotion, memory, or metaphor. Use **light, airy type with slight uneven letter spacing and the old mechanical-print errors of vintage typewriting**, in a clear but non-glaring grey-brown, soft black, deep blue-grey, or a dark colour echoing the subject, ensuring sufficient legibility on the pale paper. Scatter the text naturally in the whitespace to form an image-text composition with the subject and doodles; do not impose a fixed title template. The overall result should be a refined, comforting visual language made from **an extremely pale paper ground, coarse-grain crayon contours, sparse pastel fills, minimal doodle symbols, a small-scale subject, and abundant artistic whitespace**. Keep the subject and small elements clearly floating on the light paper while remaining relaxed, naive, gentle, and mature in its editorial composition. Avoid dark kraft paper, dark brown backgrounds, low-contrast lines, subject and background melting together, fine polished outlines, realistic redraws, complex small icons, filled backgrounds, smooth vectors, 3D effects, and commercial-template styling.