Promptbibliotheek

Turn each uploaded photograph into a separate high-end design poster. Do not combine multiple photographs; output each one independently. Use a 3:4 portrait composition divided into two horizontal regions of exactly equal height, each occupying 50% of the canvas. Keep the original photograph in the upper half, preserving the subject's identity, structure, pose, realistic texture, natural lighting and original colour atmosphere. Apply only subtle refined colour grading for an art-magazine and exhibition-image quality. Extend the surrounding environment naturally if the format requires it, but never stretch, distort or alter the subject. Extract only the photograph's most recognisable **subject, contour, structure, pose and narrative relationships** in the lower half, reconstructing them as **Minimalist Poetic Collage Illustration**. Do not reproduce the entire photo, redraw objects one by one or retain every object and background. Remove irrelevant detail and keep only the structure, directional flow and visual memory points that best represent the original. Re-express them through simplification, cropping, scaling, rearrangement and whitespace so that their correspondence with the photograph above is instantly recognisable. Make a fresh artistic judgment in the lower half. Even if the original composition is weak, its background cluttered or its subject small, actively rescue it through **subtraction, rearrangement, cropping, changes of scale and whitespace**, genuinely giving the model authority to redirect the image. Use **a tiny subject + a broad empty field**. The translated graphic is only a **postmark-sized visual landing point**, carefully placed amid vast whitespace. It may be off-centre, at an edge, suspended or partly cropped, with position chosen freely according to direction, proportions and visual centre of gravity. Whitespace is not merely a blank background but part of the image: together with the subject, colour shapes, paper edges and a few supporting elements, it creates breathing room, spatial depth, pauses and asymmetric balance. Prefer subtraction to filling the canvas. Combine **illustration + collage + graphic layout design**. Rebuild the subject with thin watercolour washes, flat colour shapes, hand-drawn traces, translucent paper, aged paper, torn edges and handmade-paper textures. Allow slight incompleteness, fragmentation and chance, while keeping the whole quiet, restrained, poetic and refined. Use warm ivory paper with grain and fibres as the background, reducing the digital feel. Extract 2–4 of the most distinctive, emotionally meaningful colours from the upper photograph and organise them into a **soft, natural, restrained and coherent** artistic palette. Moderate softening and desaturation are allowed, but avoid dirty grey, dullness, cheap high saturation and disorganised colours. Use only a very small amount of editorial text, with no restriction on language. Generate a few words or short phrases from the subject, place, mood or metaphor. Use **small, restrained, bookish poetic typography with breathing room**, quietly positioned in the whitespace at a distance from the image, creating refined **editorial / art-book typography**, not a pile of commercial headlines. The overall refined effect combines **abundant artistic whitespace, a postmark-like miniature subject, asymmetric composition, mixed-media collage, handmade-paper character and poetic typography**. Avoid object-by-object redrawing, excessive background retention, filled canvases, complex scenes, cartoon effects, 3D, templated posters and excessive decoration.