Promptbibliotheek

Create one independent premium poster per uploaded photograph, not a multi-photo collage. Use a 3:4 portrait canvas, with top and bottom exactly equal in height and each occupying 50%. Keep the original photograph above, preserving subject identity, structure, pose, real texture, natural light and original colour atmosphere. Use only subtle refined grading for an art-magazine, independent-publication and exhibition finish. Naturally extend the environment if necessary to fit, but do not stretch, distort or change the subject. Below, extract only the most recognisable subject, contours, structure, pose and narrative relationships. Make new artistic decisions to create a conceptual poster centred on pictorial typography, typography masking and type–image integration. Do not copy the whole photograph or simply insert the entire image into letters. Remove almost all background and irrelevant information, retaining the key visual memory points and clear correspondence with the photograph above. Freely derive a short, visually powerful word or phrase from the source theme, in any language. The text itself becomes the main compositional structure below. Through Typography Masking / Extended Letterform, embed subject imagery in letterforms and extend, crop, stretch, displace or structurally rearrange strokes so letters become windows, boundaries, paths, columns or spatial frames. Let the subject partly break out of the letters, occlude, connect with or cross them, making type and image one entity rather than a title plus picture. Emphasise positive/negative shapes and extensive intentional whitespace. Type and subject form one clear visual core; leave the rest boldly empty. Use off-centre, edge-aligned, suspended or partially cropped placement according to direction, proportions and visual weight. Redirect the image through letter scale, extended strokes, figure–ground reversal and whitespace, using subtraction, recomposition and scale changes to rescue even cluttered scenes or tiny subjects. Reflections, mirrored extensions or distorted reflections are permitted only when water, glass, ground or a corresponding spatial relationship exists in the source; never force them. Retain the photograph’s most memorable, lively colour relationships, moderately lightening, purifying and removing grey. Imagery inside letters can retain fresh subject colours, while warm white, cream or an extremely pale background matched to the source’s overall colour temperature provides broad breathing space outside. Colours should be clear, light and impactful without excessive vividness; avoid gloom, dirty greys and cheap filters. Besides the core letterforms, allow only extremely sparse supporting information. Use fine, calm typography with modern editorial order and a slight experimental quality, quietly positioned in whitespace, at letter edges or on structural axes to create scale contrast and reading rhythm. Aim for Typographic Photo Manipulation / Experimental Typography Poster / Type–Image Integration, prioritising extended letterforms, type masks, type–image unity, positive/negative shapes, vast whitespace and spatial illusion. Avoid ordinary photo-filled text, complete scene replication, piles of words, busy backgrounds, commercial headline templates and cheap compositing.