Promptbibliotheek

Turn each uploaded photograph into a separate high-end design poster. Do not combine multiple photographs; output each one independently. Use a 3:4 portrait composition divided into two horizontal regions of exactly equal height, each occupying 50% of the canvas. Keep the original photograph in the upper half, preserving the subject's identity, structure, pose, realistic texture, natural lighting and original colour atmosphere. Apply only subtle refined colour grading for an art-magazine and exhibition-image quality. Extend the surrounding environment naturally if the format requires it, but never stretch, distort or alter the subject. Make a fresh artistic judgment in the lower half. Extract only the photograph's most recognisable **subject, contour, structure, pose and narrative relationships**. Do not copy objects one by one, keep the full scene or reproduce the original composition. Actively remove most background and irrelevant detail, retain only the visual memory points that best represent the original theme, and redirect the image. Even if the original composition is weak, the background cluttered or the subject small, rescue it as a successful work through **subtraction, rearrangement, cropping, changes of scale and whitespace**. Rebuild the lower half as **a monochrome halftone image + handwriting + minimalist whitespace composition**. Use **monochrome halftone / dithering / stippling** in black, grey or charcoal, describing form and tonal values with fine dots, pixel-like grain and a slight aged-print texture. Aim for vintage editorial illustration and an independent-magazine **vintage editorial / zine aesthetic**. This is neither pencil sketching nor ordinary flat illustration, but an image reconstruction with a halftone-print character. Make **exceptionally abundant whitespace** central to the composition. The subject occupies only a small portion of the lower half; it may be off-centre, at an edge, partly cropped, miniaturised or suspended, leaving the remaining space broadly empty. Whitespace is not merely a blank background: together with the subject, dot density and text, it creates breathing room, spatial depth and rhythm. Prefer less to filling the canvas. Base the palette on a **low-contrast grey-black monochrome subject**. A little **fine red linework or red handwriting** may appear in text or small marks as the sole contrasting colour, creating a restrained but clear focal point. Avoid accumulated colours, complex gradients, dirty grey filters and unnecessary decoration. Let text intervene only minimally. Freely generate a few words or short phrases from the subject, action, mood, place or metaphor. Use **light, naïve handwriting with slight manual errors and a casual annotation quality**. Place it naturally in the whitespace, forming a relaxed yet refined image–text relationship rather than a pile of commercial headlines. The overall refined effect combines **vintage monochrome halftone imagery, handwriting, aged-print grain, exceptionally abundant whitespace and editorial typography**. Avoid object-by-object copying, filled canvases, complete backgrounds, ordinary pencil sketches, colourful realistic illustration, cartoon effects, 3D and templated posters.