Promptbibliotheek

Turn each uploaded photograph into its own independent, refined design poster. Do not combine multiple photographs; output each separately. Use a 3:4 portrait composition with two vertically stacked regions of strictly equal height, each occupying 50% of the canvas. Preserve the original photograph in the upper half, maintaining the subject’s identity, structure, pose, authentic texture, natural lighting and original colour atmosphere. Apply only subtle, refined colour grading for an art-magazine or exhibition-image quality. The surrounding environment may be extended naturally to fit the format, but never stretch, distort or alter the subject. Extract only the photograph’s most recognisable **subject, silhouette, structure, pose and narrative relationships** for the lower half, reconstructing them as a **Hand-drawn Doodle Photo Collage**. Do not copy the whole photograph or preserve every object and background. Remove irrelevant details, selecting only a few photographic fragments that best represent its theme and visual memories. Reinterpret them through cropping, scaling, rearrangement and whitespace so that their correspondence with the photograph above is immediately recognisable. Make fresh artistic judgements in the lower half. Even if the original composition is weak, the background cluttered or the subject small, actively rescue it through **subtraction, rearrangement, cropping, scale changes and whitespace**, genuinely granting the model the authority to redirect the picture. Use a **small-scale collage cluster plus extensive open space**. Keep only one small group of photographic collage units in the lower half, like a cluster of visual notes placed on white paper. It may sit off-centre, near an edge, suspended or partially cropped; do not fill the page or recreate a large scene. Whitespace is part of the picture, not just an empty background. It must work with photographic fragments, hand-drawn lines, symbols and text to create breathing room, space, pauses and asymmetric balance. Prefer less to more. Mix **photographic collage, hand-drawn doodles and graphic-layout design**. Arrange photo fragments in an irregular grid, offset modules or a loose composition. Their edges may carry rough, casually drawn black frames. Add a few freehand suns, stars, smiley faces, brackets, arrows, cups, lines, symbols or doodled notes for a scrapbook / zine / editorial-collage sense of personal record and magazine character, but keep them restrained and subordinate. Keep a clean white or very pale warm-white background with extensive empty space, like a sketchbook, scrapbook or independent magazine page. The mood is relaxed, everyday, clever and unforced, while the layout remains refined, balanced and enduring. Extract 2–4 of the photograph’s most distinctive and emotionally meaningful colours for the lower-half photographic fragments, hand-drawn elements and small accents. Unify the palette so it feels soft and natural, never chaotic or dirty grey. Use only a minimal editorial text intervention, with no language restriction. Generate a few words or short phrases from the subject, place, action, emotion or metaphor, like casual notes in a journal, independent magazine or zine. Distribute them lightly through the whitespace, forming a refined image–text relationship with the photo fragments and doodles. The overall effect combines **a white background with extensive open space, small-scale photographic collage, black hand-drawn doodle lines, magazine-like layout and a personal-record quality**. Avoid full replication, excessive background retention, filled canvases, complex scenes, heavy decoration, commercial templates, cheap scrapbooking and excessive flamboyance.