Promptbibliotheek

Please create each of my uploaded travel photos into a separate high-end design poster. Output each photo individually, no multi-image splicing allowed. Overall, use a 3:4 vertical composition, made up of a clearly visible real photo and a “Photo Doodle Travel Item” reinterpretation of the same scene. The upper and lower sections should have heights close to 1:1, using a clear, straight, restrained horizontal divide—do not blur, feather, fade, or overlap images at the boundary. ## Upper Section: Real Original Photo Faithfully retain the main subject’s identity, number, pose, action direction, core objects, character relationships, street or spatial structure, viewing angle, real textures, natural lighting and shadows, and the original color atmosphere from the original photo. Apply only subtle color grading at the level of a travel magazine, independent publication, or photography exhibition, and add an extremely thin layer of film grain. The upper section must still be a clear, real photographic work with substantial presence. Do not redraw the photo, do not move people, do not alter the identity or structure of vehicles, food, shops, chairs, tables, boats, or souvenirs, and do not add cultural symbols or travel items absent from the photo. To fit the canvas, you may naturally extend a small amount of sky, ground, walls, or surrounding environment, but do not stretch, compress, mirror, duplicate, or distort the main subject. ## Lower Section: Photo Doodle Travel Item Extract one core travel item from the same photo that’s most worth remembering, such as: - Vehicles, bicycles, motorcycles, boats, or carts; - Coffee cups, plates, food, utensils, or tabletop arrangements; - Chairs, suitcases, street signs, umbrellas, or souvenirs; - Shop facades, sales windows, newsstands, or street stalls; - Other everyday objects with clear outlines and a sense of place. People may be kept, but only as supporting elements for the item’s action, usage, and travel story—do not let them steal the main visual focus. First, understand the most important item’s identity, outline, direction, color, and usage relationships in the photo, then actively remove complex backgrounds, irrelevant passersby, repetitive buildings, ads, dense signage, tiny decorations, and photographic noise. Do not simply shrink the original photo and place it in the lower section, nor outline or cartoonize the entire photo in a simplistic way. ## Secondary Composition Use a “shrink and refine” editorial composition. The core item should occupy about 40%–65% of the lower section’s width and 30%–58% of its height, placed centrally, lower, or to one side. Adjust the main subject’s scale, cropping method, and spatial position based on the photo’s content to clearly distinguish the lower section from the upper photo. Keep only one core item, paired with one to three necessary scene cues, such as: - A short stretch of road, track, or tabletop; - A door, a window, or a corner of wall; - A hand using the item or a shrunken figure; - A shadow, steam, motion trail, or directional line. The reinterpretation area must retain about 35%–55% continuous warm white paper space or light empty field, allowing the subject room to breathe. Do not use templated white sidebars, nor chop the blank space into many tiny gaps. ## Photo Slices and Matte Color Blocks The core item must not fully turn into an ordinary illustration. Retain a small amount of real texture from the original photo, using: - One to three cropped photo texture areas; - The item’s most identifiable real surface; - Partial photographic textures from car windows, food, fabrics, metal, or wood; - Irregular photo slices that fit the original outline. Photo slices should naturally embed into matte color blocks and hand-drawn lines, without regular photo frames or dense album-like piecing. The rest of the structure should use 4–6 matte flat color blocks extracted from the photo to re-summarize. Keep one most distinctive bright color as the visual focal point, while moderately reducing saturation in the others. Color block edges may have slight handcrafted irregularities, paint gaps, and paper show-through—avoid smooth vector shapes and commercial digital illustration vibes. ## Narrative Doodles Add a minimal amount of hand-drawn doodles around the core item, tied to the real scene. Based on the photo’s content, choose from: - Arrows indicating action or travel direction; - Motion trails for vehicles, boats, or people; - Steam lines above food and drinks; - Subtle sound symbols, vibration lines, or waiting marks; - Curves connecting people and items; - Dots, underlines, or short observational marks; - One or two very simple small icons. Doodles must explain the item’s action, usage, or travel mood, not just serve as pure decoration. Use black, dark brown, or one deep color from the photo, rendered with loose marker pen, crayon, oil pen, or pencil lines. Lines may have breaks, overlaps, slight overruns, and uneven ink. Keep doodles restrained—usually just 3–7 small groups of lines or symbols. Do not turn the whole image into a children’s doodle pad, comic storyboard, or dense sticker page. ## Text Before generating, based on the real visible items, places, actions, or vibes in the photo, determine and accurately render the following text: 1. A main title of 1–3 English words; 2. Field: “OBJECT NOTE 01”; 3. One observation sentence of 5–12 English words. Titles can be the item’s name or a short travel feeling, such as: - “YELLOW TRAM” - “LATE LUNCH” - “CORNER TABLE” - “SMALL FERRY” - “STREET CART” - “RAINY RIDE” Observation sentences should only describe real existing colors, actions, positions, and item relationships in the photo—do not invent brands, places, dates, or stories. Place text in a continuous blank area, forming a clear editorial tag with the core item and doodles. The main title must be clearly readable at chat preview size; supporting text must not shrink into unrecognizable decorative gray lines. Use loose handwriting fonts, old printed small text, or narrow fonts with marker-pen texture. Text edges may have slight ink shortages, repeated strokes, and paper friction feel, as if written on the paper alongside the doodles—do not use smooth, floating digital typesetting. Prohibit copying ads, signs, and brand text from the original photo. Prohibit author names, signatures, social accounts, logos, URLs, QR codes, fake Chinese, garbled text, and meaningless numbers. ## Overall Vibe Like picking out the tiniest thing from a travel photo you can’t bear to forget, then re-saving it with photo scraps, matte colors, and a few casually drawn notes. Relaxed, clever, observant, with a touch of humor and lived-in feel, while keeping the restrained layout of an indie travel magazine or art publication. Strictly avoid: full-photo cartoon filter, same-crop same-scale redraw, complete realistic lower background, dense doodles, childish cartoon page, comic panel, generic travel stickers, copied signage, invented brand, excessive arrows, excessive symbols, multiple competing objects, glossy 3D, smooth vector shapes, digital gradients, oversaturated colors, tiny decorative source photo, missing source-photo comparison, fake text, author signature, watermark.