Promptbibliotheek

Please turn each photograph I upload into its own independent, high-end design poster. Do not combine multiple photographs; output each separately. Use an overall 3:4 portrait composition with two top and bottom regions whose heights are strictly 1:1, each occupying 50% of the canvas. Keep the original photograph in the upper half, preserving the subject's identity, structure, pose, authentic texture, natural light and shadow, and original colour atmosphere, with only subtle refined colour grading. The environmental background may be extended naturally to fit the frame, but do not stretch, distort or alter the subject. Do not trace the photograph into a painting in the lower half. First identify **one core theme, one visual anchor and one emotional relationship genuinely worth preserving from the source**, and boldly remove everything else. Even if the original composition is ordinary, cluttered or looks like a rejected shot, redesign subject scale, position, cropping, direction and relationships between elements, reconstructing the raw material into an artistic image that stands on its own. Keep only the contours, movement, pose and memorable visual features that best represent the original object, so viewers immediately sense its connection with the photograph above while the lower half has stronger composition and artistic expression than the original. Use **fine hand-drawn lines + pale flat colour + paper texture + light collage**. Make the subject recognisable with a few simple outlines and retain only very few necessary interior lines; summarise colour through light, calm, broad flat areas without realistic detail. You may add an extremely pale block of a theme-derived base colour to support the subject, letting the subject emerge from, cross or interrupt its edge to form a natural editorial collage relationship. Emphasise **a small stamp-scale subject + extensive intentional whitespace**. The subject may be off-centre, edge-adjacent, suspended, partially cropped or moved from its original photographic position; do not pursue complete presentation. Whitespace should clearly exceed the drawn area and actively participate as a graphic element, creating positive/negative shape, distance, direction, gathering and dispersal, and asymmetric balance with the subject. Prefer deleting the environment to filling the page; let empty space provide air, space, pauses and emotion. Extract 2–4 of the most vital and recognisable colours from the photograph above, then remix them into **a high-value, clear, gentle pastel palette**, such as mint green, young-leaf green, misty pink, pale violet, cream yellow, soft blue or apricot, varying naturally with the source. Keep the background an extremely pale, near-white paper colour. The subject and base-colour block must remain clearly visible, never grey, dirty or muddy. Allow only a very small number of symbolic surrounding elements derived from the source's mood or theme, expressed in one or two strokes. Do not copy real objects or decorate merely to fill gaps. Text should also be very sparse, without restricting its language. Freely generate a few words or phrases from the subject, action, emotion, memory or metaphor, placing them in the whitespace in fine, natural, slightly handwritten lettering to compose the page together with the subject. The priority is not “drawing the photograph”, but **extracting its soul and directing the image anew**: few elements, a strong theme, a small subject, broad whitespace, light lines, pale colour blocks and intelligent reconstruction. Avoid tracing object by object, complete backgrounds, accumulated detail, oversized subjects, filled-up compositions, realistic copying, smooth vectors and templated layouts.