Promptbibliotheek

Please create a separate high-end design poster for each photo I upload, without multi-image collages—output each photo individually. Use an overall 3:4 vertical composition, with the top and bottom sections strictly 1:1 in height, each occupying 50% of the frame. The upper half retains the original photo, preserving the main subject's identity, structure, pose, realistic texture, natural lighting and shadows, and original color atmosphere. Only apply subtle high-end color grading to give it the texture of an art magazine, independent publication, or exhibition image. To fit the frame, you may naturally extend the environmental background, but do not stretch, distort, or alter the main subject. The lower half should not fully replicate the photo, nor simply shrink and redraw it. Instead, extract the most memorable elements from the original image—the main subject, actions, partial outlines, objects, plants, architectural fragments, color relationships, and symbolic details—and refine them into several visual elements unified in style. Combine these with text to form a Rebus-style visual sentence. These images are not decorative illustrations; they must truly replace words in the sentence. Once a word is replaced by an image, do not repeat it in the text. The entire sentence must rely on "text + images" together to be fully understood. First, freely generate a short, imaginative sentence with a touch of poetic or editorial flair, based on the photo's emotions, actions, relationships, location, memories, or metaphors. Then, select several nouns, action verbs, imagery words, or emotion words from the sentence that are most suitable for visualization, and directly replace them with corresponding image elements. For example, flower, window, bird, tree, cup, sea, wind, lamp, road, waiting, passing, returning, morning, etc., can be represented by visual elements from the original image. The images must occupy the original positions of the words, forming a true continuous reading logic of "text → image word → text → image word → text," rather than placing a few small drawings as embellishments next to a complete sentence. Each replaced "visual word" should be placed within an independent small colored block background, like a snippet cut from the memory of the original photo. Each block can have different sizes, aspect ratios, and cropping methods—nearly square, horizontal narrow strips, vertical long blocks, or small irregular cutouts. The blocks do not need uniform sizing, but must have clear rhythm and hierarchy. The images within the blocks are not direct screenshots from the original photo, but artistic segments redrawn in a unified visual language, retaining only the most recognizable outlines, actions, structures, and essence. Partial cropping, partial reveals, or natural overflow beyond block edges are allowed, making them feel like meaningful visual words rather than ordinary small illustrations. These visual elements should overall be transformed using a unified modern hand-drawn editorial illustration language: reconstruct original elements with simplified outlines, generalized shapes, minimal flat color blocks, and a slight handmade feel. Avoid excessive realism, complex volumes, photographic textures, and mechanical replication. The images should preserve the soul and recognizability of the originals but not aim for complete depiction—instead, evoke refined visual memories. The style can be light, clever, with a touch of design sensibility and art publication vibe, ensuring all image words feel cohesive and harmonious. The colored block backgrounds for each visual word should follow a consistent "fresh, bright, eye-pleasing" soft palette logic, but each block can have a different color. Draw colors from the brightest, most vibrant, and lively hues in the upper photo, remixed rather than averaged. Overall, boost brightness and color purity for a softer, lighter, more approachable overall color harmony—naturally manifesting as milky blue, lake green, mint green, tender sprout green, cream yellow, peach pink, cherry blossom pink, apricot orange, lavender purple, and other light, soft, bright tones. Blocks can have subtle jumps in color, but the overall must feel unified, comfortable, airy, clean—evoking a relaxed, pleasant, healing vibe with a hint of girlish charm and Instagram aesthetic. Avoid muddy grays, dull tones, aged looks, heavy Morandi-ization, fluorescent colors, cheap candy vibes, or overly harsh contrasts. Organize the composition around the "sentence's reading path," making the lower half feel like a readable page of visual poetry. Text and image words can span 2–4 lines in a free layout, not requiring perfect alignment, but with a clear, elegant, natural reading rhythm. Image word sizes should vary by semantic importance: some near ordinary word size, others moderately enlarged as visual pauses. Use high-low staggering, sparse-dense variations, slight offsets, whitespace gaps, and baseline rhythms to form an asymmetrical yet stable editorial layout relationship between text, image words, and blocks. Avoid sticker-wall chaos, card lists, rigid grids, or cluttered collages. Retain ample reasonable whitespace in the lower half, letting blank space itself become a key part of the breathing room, rhythm, and premium feel. Use a near-white, off-white, or extremely pale base color intelligently coordinated with the original image's overall warmth for a clean, quiet, airy backdrop. All image words, text, and blocks should float within generous whitespace, making the layout resemble an art magazine page, independent publication, visual poetry sheet, or experimental graphic work— not a commercial poster template. Text is not limited by language; freely choose Chinese, English, bilingual, or other options that best fit the image's vibe, but keep it concise, natural, and imaginative. Avoid generic commercial title fonts; opt for light, crisp, delicate typefaces with a modern editorial feel and subtle humanistic warmth—natural letter spacing, ample whitespace, restrained yet lively typesetting. Allow slight offsets, line breaks, and rhythmic shifts so text and image words coexist equally, co-creating the composition rather than one dominating the other. The overall visual effect should present as: the upper half as a real image, the lower half as a visual sentence co-formed by "text + image words + colored blocks." It should feel like an emotional short poem, memory fragment, or visual metaphor distilled from the original photo, reorganized into a light, clever, fresh, healing, modern artwork rich in design sensibility. The focus is not on describing what's in the photo, but translating its most moving content into a graphic-text language that can be read or simply viewed. Avoid: Using direct crops from the original as visual words, treating images merely as decorative side illustrations, pairing full sentences with undeleted words plus images, sticker-wall feel, card-grid rigidity, commercial template vibes, info-feed layouts, e-commerce aesthetics, childish collages, disorderly mess, dirty gray colors, cheap candy hues, excessive realism, complex backgrounds, mechanical fonts, and cramped layouts without whitespace.