Promptbibliotheek

Turn each photograph I upload into a separate, independently finished premium design poster. Do not combine multiple photographs; output each one individually. Use a vertical 3:4 composition with two regions whose heights are strictly equal, each occupying 50% of the canvas. Preserve the original photograph in the upper half, retaining the subject’s identity, structure, pose, authentic texture, natural light and shadow, and original colour atmosphere. Apply only subtle refined colour grading to evoke an art magazine or exhibition image. The environmental background may be extended naturally to fit the format, but never stretch, distort or change the subject. In the lower half, extract only the photograph’s most recognisable **subject, contours, structure, pose and narrative relationships**, and reconstruct them as an **editorial visual-journal collage** in a **Visual Journal / Digital Collage / Scrapbook Aesthetic**. Do not reproduce the entire photograph or redraw every object. Remove most irrelevant details and keep only the visual memory points that best represent the original theme. Reorganise the composition through **photographic fragments, paper, sticky notes, tape, stickers, tickets or receipts, handwriting, screenshot-like blocks and paper textures**. Its connection to the upper photograph should be immediately recognisable, while clearly conveying a personal narrative shaped by understanding, subtraction and rearrangement. Give the model permission to redirect the lower composition. Even when the original has weak composition, a messy background or a small subject, rescue it as a convincing work through **subtraction, rearrangement, cropping, scale changes, layering and whitespace**. Do not paste in every piece of information. Organise a few high-value elements around one clear theme, letting photographs, paper pieces, words and stickers appear casually collected yet deliberately collaged, with the natural order of a **free-form asymmetrical layout**. Retain **abundant intentional whitespace**. Whitespace is not merely an empty background: it is part of the composition, working with photographic fragments, paper edges, tape, notes and text to create breath, space and pauses. Elements may be off-centre, near edges, tilted, partly overlapped or cropped, but maintain a clear hierarchy, balanced visual weight and an editorial sensibility. Prefer fewer precise elements to filling the page. Emphasise the believable materiality of **digital mixed-media collage**: preserve paper grain, slight folds, transparent tape, printed edges, handwriting traces, stamp-like marks, small stickers and layered occlusion. Create a clean yet lived-in mixed-media collage. Avoid neat templates, pure vector graphics, strong 3D effects, excessive photorealism and cheap scrapbook-asset styling. Extract and remix **2–4 colours with the most vitality, everyday warmth and connection to the theme’s spirit** from the upper photograph. Keep the overall palette bright, soft and approachable, unified if helpful by paper neutrals such as off-white, cream, light grey and pale khaki. Avoid dirty greys, gloom, chaotic saturation and a cheap candy-colour look. Introduce text sparingly as part of the narrative, without restricting its language. Freely generate a few words, short phrases, notes, annotations or date fragments from the subject, place, action, mood, sense of time or everyday details. Let them juxtapose and overlap with the images, rather than piling up commercial-style headlines. The final premium visual effect combines **visual journalling, digital collage, scrapbook aesthetics, abundant artistic whitespace and free editorial layout**. Avoid object-by-object copying, accumulated elements, filled-up pages, templated scrapbooks, cheap stickers, complex backgrounds, cartoon styling and e-commerce layouts.