Promptbibliotheek

Make a separate premium design poster from each uploaded photograph; do not combine photographs. Use a 3:4 portrait canvas with upper and lower regions of exactly equal height, each 50%. Preserve the original photograph above: the subject’s identity, structure, pose, real texture, natural lighting and colour atmosphere. Use only subtle refined grading for an art-magazine and exhibition-image finish. Extend the surrounding environment naturally if needed, but never stretch, distort or change the subject. Below, extract the most recognisable subject, contours, structure, pose and narrative relationships, make fresh artistic decisions and distil a small centered vignette / visual island. Do not copy the complete photograph or redraw every object. Boldly delete the background and secondary information, retaining only a few elements embodying the scene’s spirit, directional movement and visual memory. Even with clutter or a tiny subject, crop, regroup, resize and reposition freely to create an independently convincing artwork. The miniature occupies only about 25%–35% of the lower region, with immense pure whitespace all around. Whitespace is part of the composition, creating contrasts of scale, pauses, distance and breath; do not fill space to explain the scene. Slightly off-centre placement is allowed, but keep the island concentrated, quiet and whole, like a visual memory treasured on white paper. Use a handmade mixture of opaque gouache, oil pastel / chalk pastel and dry brush. Employ simplified broad colour shapes, short rough strokes, visibly exposed paper, slight pigment loss, dry-brush grain and irregular painted edges. A little thick paint coverage is allowed locally, but keep the whole relaxed and light. Edges break and disappear naturally: no regular rectangular frame, soft watercolour bleeding, precise outlines or realistic modelling. Select the 2–4 brightest, freshest, most lively source colours and remix them rather than averaging the entire photograph. Moderately raise lightness and purity for sunlit vitality. Warm yellow, orange, tender green, sky blue, lake turquoise and coral pink may arise naturally, with abundant clean warm white for breath. Colour is cheerful, warm and soothing, never oversaturated, grey-dirty, aged-retro or cheap candy-like. Text is a minimal intervention, in any language. Freely derive one very short phrase from the theme, mood, action or memory, usually below the island or in nearby whitespace. Use fine, natural handwriting with subtle pressure changes and slight slant, like an informal note in a private travel journal or poetry book. Image and words form a quiet, warm relationship. The refined, soothing effect comes from immense white paper, a tiny visual island, lively dry-media colour shapes, coarse grain, irregular edges and miniature handwriting. The point is not to shrink a painted photograph, but to distil its whole world into the memory most worth preserving at the centre of white paper.