Promptbibliotheek

Please turn each photograph I upload into a separate, independently designed high-end poster. Do not combine multiple photographs; output each photograph separately. Use a 3:4 portrait composition, with the upper and lower regions strictly 1:1 in height, each occupying 50% of the image. Keep the original photograph in the upper half, preserving the subject's identity, structure, pose, realistic texture, natural light and shadow, and original colour atmosphere. Apply only subtle, refined colour grading for the quality of an art magazine or exhibition image. The environmental background may be extended naturally to fit the format, but do not stretch, distort, or alter the subject. Make a fresh artistic judgment for the lower half. **Extract only the photograph's most recognisable subject, contours, structure, pose, and narrative relationships**, and reconstruct them as Hand-drawn Doodle Lifestyle Illustration / Naïve Illustration / Marker Drawing. Do not retain every object or copy the original scene. Actively remove the vast majority of the background and irrelevant information; redirect the composition through subtraction, rearrangement, cropping, and changes of scale, so even an ordinarily composed photograph becomes a successful artwork. Simplify and symbolise the forms, keeping them relaxed and individual. Use slightly shaky, interrupted, imperfectly regular hand-drawn lines and natural colouring like markers, crayons, or oil pastels. Slightly colouring outside the lines, exposed paper, and handmade errors are allowed. Do not pursue realistic proportions, complete perspective, or meticulous rendering. The lower half must centre on **an exceptionally large amount of deliberate whitespace**. Solid graphic forms occupy only a small proportion; actively leave the rest empty. Place the subject off-centre, against an edge, suspended, or partially cropped, according to the direction of its pose and visual weight. Whitespace and subject together create positive and negative shapes, distance, pauses, and breathing room. Draw less rather than filling the image. **Recompose the graphics and text as one whole, rather than “a sentence above and a person below”.** Establish an invisible grid, visual axes, and reading path before deciding where text belongs. Text can sit close to the subject's contour, follow the direction of an action, align with the head or shoulder line, occupy a large area of negative space, or answer the image through offsets, interweaving, and asymmetry. Avoid mechanical centring, vertical stacking, and fixed templates. Let the image carry emotion and the text set the rhythm; both complete the composition together. Text may be in any language, but retain only a very small number of genuinely meaningful words or short phrases. Use **light, natural handwriting with slight variations in letter width and pen pressure**, keeping a casually written quality while exercising editorial control over letter spacing, line spacing, and overall placement. One slightly more prominent short phrase can accompany tiny supporting text to create hierarchy, but avoid menu-like headings, long copy, or text covering the page. Use a limited palette that is soft, bright, and comforting. Extract the most lively colours from the original photograph and remix them into fresh colours such as cream yellow, peach pink, coral red, sky blue, lake turquoise, tender green, and lavender. Keep them vibrant without glare, soft without dirty greyness, and use warm white or an extremely pale mixed hue as a broad breathing space. Aim overall for **naïve drawing, mature composition, intelligent image–text relationships, and exceptionally abundant whitespace**, like a high-end independent magazine, lifestyle editorial illustration, or art publication rather than a children's scrapbook. Avoid a fixed centred-subject-plus-centred-copy structure, random little icons scattered everywhere, complex backgrounds, information overload, filled-up images, cheap cartoon styling, and templated layouts.