Promptbibliotheek

Turn every photograph I upload into its own independent premium design poster. Do not combine multiple images; output each photograph separately. Use an overall 3:4 portrait composition with two horizontal regions in a strict 1:1 height ratio, each occupying 50% of the canvas. Keep the original photograph in the upper half, preserving the subject's identity, structure, pose, authentic texture, natural light and shadow, and original colour atmosphere. Apply only subtle, sophisticated colour grading so it has the visual quality of an art magazine, independent publication, and exhibition image. To fit the format, the surrounding environment may be extended naturally, but the subject must not be stretched, distorted, or altered. In the lower half, first understand the original photograph's most memorable **core theme, subject relationships, structural movement, emotional atmosphere, and visual metaphor**, then reconstruct it as a **hand-sewn textile-collage illustration**. Do not copy every object from the photograph. Remove irrelevant details and retain only the structures, directions, and visual memory points that best represent the original, then reinterpret them through textile appliqué, fabric collage, raw-edged patches, layered cloth pieces, and a small amount of embroidery. After this process of understanding and recreation, the relationship with the photograph above must still be recognisable at a glance. Build the forms primarily from **a small number of large fabric pieces, simple silhouettes, positive and negative shapes, and visible stitches**. People, buildings, animals, plants, objects, or landscapes may be simplified, cropped, distorted, merged, or partially omitted. Preserve cotton and linen fibres, raw edges, pulled threads, irregular cuts, slight misregistration, and handmade overcast stitching to create an authentic, warm, tactile appliqué/textile-collage materiality. Maintain the relationship between a **small, stamp-like motif and abundant whitespace**. Place the motif freely according to its own direction, proportion, and visual centre of gravity; it may be off-centre, touch an edge, float, or be partially cropped. Concentrate the subject and a few supporting fabric pieces into one clear visual landing point, and deliberately leave the remaining space empty. Let the whitespace itself participate in positive-negative shape, density, gathering and dispersal, and asymmetrical balance, creating breath, spatial depth, and sophisticated editorial order. Reduce rather than fill. Extract and remix the **2–4 colours from the upper photograph that feel most alive, warm with everyday life, and representative of the image's spirit**. Moderately brighten, purify, and remove greyness so the fabric colours feel vivid, soft, and approachable. Fresh combined tones such as sky blue, lake cyan, botanical green, cream yellow, apricot orange, coral red, and soft pink may emerge naturally, balanced by broad fields of pale base cloth and a few vivid colour blocks. Avoid dullness, dirty greys, aged browns, heavy earth tones, and cheap oversaturation. Use text only as a very limited editorial intervention. Do not restrict the language or prescribe a fixed title or number. Freely distil a few words or short phrases from the subject, place, action, emotion, details of everyday life, or metaphor, then place them quietly in the whitespace, along the subject's edge, or between fabric relationships, forming a refined composition of image and text together. The overall premium visual effect should combine **selective memory, textile collage, handmade stitching, vivid fabric, a small stamp-like motif, abundant artistic whitespace, and editorial typography**. Avoid object-by-object rendering, filling the frame, complex backgrounds, dull aged-fabric colours, cartoon effects, 3D effects, cheap craft aesthetics, and templated collage.