Promptbibliotheek

Create one separate premium design poster for every uploaded photograph, never a multi-photo collage. Use a 3:4 portrait composition with top and bottom strictly equal in height, each occupying 50%. Preserve the original photograph above: subject identity, structure, pose, real texture, natural lighting and original colour atmosphere. Apply only slight refined grading for art-magazine, independent-publication and exhibition-image quality. Extend the environment naturally if needed to fit, but never stretch, distort or change the subject. Below, make fresh artistic decisions and extract only the most recognisable subject, contours, structure, pose and narrative relationships, rebuilding them as decorative natural-history illustration × luxury scarf print design. Do not copy the complete photograph or preserve all objects. Boldly remove background and irrelevant details, retaining the original’s defining structure, flow and visual memory. Summarise these through fine pen lines, engraved hatching, limited flat colour and a few decorative forms, making correspondence with the upper photograph immediately recognisable. Allow full compositional redirection. Even if the original is cluttered, its subject tiny or its visual relationships weak, establish a more beautiful order through subtraction, recomposition, cropping, scale changes, repositioning and whitespace rather than inheriting the source composition. Off-centre, edge-aligned, suspended and partially cropped subjects are all allowed to reinterpret the original theme more artistically. Maintain the relationship between a small, stamp-like concentrated subject and enormous whitespace. Whitespace must visibly exceed the solid graphic area and function as a significant shape itself, forming positive/negative relationships, density, direction, distance and spatial rhythm with the subject. Prefer one subject and very few necessary elements to a filled scene. Allow abundant air, pauses and resonance: genuine art of emptiness. Use Fine Line Art / Engraving-inspired Linework / Flat Color. Contours are fine and clear; incised lines, hatching and a little texture describe internal structure without relying on realistic shading. Plants, animals, people, architecture, objects or landscapes can become refined symbolic decorative forms. Add a few plants or flowering branches only when the source theme justifies them; never surround and fill the canvas merely to suggest a scarf. Extract and reorganise 3–5 of the source’s freshest, most distinctive colours that best express the theme. Moderately brighten, purify and remove grey, forming a fresh, cheerful, refined limited palette. Royal blue, cobalt, soft pink, sage, warm yellow, coral orange and ivory may emerge naturally, but colour relationships must come from the source’s character. Avoid dirty greys, gloom, complex gradients and cheap oversaturation. Text is only a minimal editorial intervention, in any language. Freely derive a few words or short phrases from the subject, location, feeling or metaphor. Use fine, elegant, high-contrast serifs with a lightly classical print character, or refined editorial lettering. Place quietly within broad whitespace for a restrained, sophisticated image–text relationship. Combine selective distillation, natural-history linework, engraved details, limited flat colour, vast artistic whitespace and refined editorial typography. The point is not to redraw the photograph but to understand it and create a more convincing, beautiful, breathable artwork. Avoid object-by-object replication, excessive retained background, all-over decoration, full coverage, realistic rendering, cartoon or 3D effects and template illustration.